How Long Is Mama Mia There We Go Again
Don't go wasting your emotion. In that location'south no employ getting upset about the sloppy framing of something like Mamma Mia! Here We Become Once again, the cinematic equivalent of a golden retriever puppy—panting, happy-get-lucky, nearly pathologically eager to please. It'due south got catchy tunes, and sunny skies, and the widest bell-bottoms in all the land; it casts Andy García every bit a mysterious hunk named Fernando, solely for the purpose of carting out Cher to belt ABBA'southward 1976 hit "Fernando." It gives the people what they want.
Simply still: Mamma Mia! Here We Go Over again—which should ideally be referred to by its complete canonical championship, assertion indicate included—plays fast and loose with time and space, plenty to occasionally distract from the movie'due south myriad pleasures. At to the lowest degree, if you're the kind of nut who'southward kept awake at night by questions about how the cars in Cars make infant cars. (Warning: spoilers and excessive pedantry follow.)
The trouble starts in the pic'south Godfather: Part II-esque flashbacks, which illustrate that crazy summer when Donna Sheridan (in her younger years, played by Lily James; in her older years, played by a pair of overalls filled with Meryl Streep) found love three times over with a trio of eligible foreign bachelors. Her story begins in May or June of 1979, when she's somewhere around 22 years old—which we know because of a helpful chyron that appears on-screen simply before Young Donna unleashes a problematic ABBA B side at her college graduation.
The twelvemonth 1979 is perfectly fine; just enquire Baton Corgan. All the same! Donna's wild youth was as well the focus of a musical number in the starting time movie: "Our Last Summer," sung sweetly in that flick's present day past her grown-up suitors. (Yeah, fifty-fifty Pierce Brosnan.) According to Bill, the aging Casanova Stellan Skarsgård plays, their trysts with Donna happened during "the time of the Flower Power," which would really place their final summer one-time long before 1979—in the late 1960s or early 1970s, according to my precise, scientific calculations. Brief flashes of Brosnan and Skarsgård in young-person drag besides back up this idea; they're dressed like regulation hippies.
"Our Last Summer" may not exist entirely reliable; it does, later all, encourage united states of america to rhyme "Seine" with "rain." Just the timing it implies actually makes more sense than the timeline established in the second picture, since Skarsgård, Brosnan, and Streep are all in their mid- to late-60s in real life, and would therefore take been appropriately bright-eyed and bushy-tailed during that earlier era. But none of these people were anywhere close to 22 in 1979, as Donna apparently was. (Colin Firth, who plays the tertiary human being in Donna'south life, is only 57—a relative spring chicken, though nonetheless not quite erstwhile plenty to make the timing piece of work. Perhaps that's why Brosnan and Skarsgård are given swell wigs in their flashback, but Firth is made over as a Johnny Rotten-loving punk—an emissary of nonetheless another era.)
Even so! To complicate matters further, in the get-go moving-picture show, Donna'south girl, Sophie (Amanda Seyfried)—the result of one of her Concluding Summer trysts—is supposed to be xx years sometime. And that pic came out in 2008. And 2008 does not come 20 years after the late 1960s or early 1970s, or fifty-fifty 1980, when Sophie was actually built-in, co-ordinate to the new moving picture'southward chronology. And while it's perfectly possible that Mamma Mia! was released in 2008 but not set in 2008, there'south no indication in the flick itself that nosotros're meant to be watching a catamenia piece, unless the period in question is "fever dream, circa anytime." Could it be that the showtime motion picture is actually set in 1999, when the phase version of Mamma Mia! premiered in London, or 2001, when it premiered on Broadway? Information technology is literally impossible to know for sure.
However! Information technology's also nigh on incommunicable to determine how much time has elapsed between the events of Mamma Mia! and the events of Here We Get Again. In real life, it'south been 10 years; in Hither We Get Again, everyone certainly looks like they've aged about a decade. There'due south a whole comic set piece about it, when a passport-taker riffs at excruciating length about how cruel fourth dimension has been to poor Skarsgård!
Yet Nib, at i point, says that he's a man in his fifties, implying that Skarsgård is playing someone significantly younger than the role player is in real life—which fits the timeline established in Here We Become Again, but does non fit the evidence earlier our very eyes. And at another point, Sophie tells Cher's grapheme—who plays the Sheridan family matriarch—that she's "about 25 years as well late" to start acting like Sophie's grandmother. Which would indicate that only five years have passed betwixt movies.
Nevertheless! If that's true, and it'southward therefore supposed to be 2005—co-ordinate to Here We Go Once more'southward retconned timeline—how does Bill'due south female associate accept an iPhone, a device that wasn't released to the public until 2007? Did she get an early image because Bill has been named Earth's Greatest Swede, or whatsoever the made-up laurels that almost prevents him from coming to Sophie's assistance is called? (Side annotation: was that literary distinction, bestowed by some sort of Swedish academy, supposed to exist . . . the Nobel Prize?!)
Plus: Cher—her character has a name, only let's exist real: who cares?—says that she met Fernando in Mexico in 1959, a year in which Cher herself was 13, and Andy García was all of three years erstwhile. But why would the movie piece of work so hard to historic period these characters up, while simultaneously desperately trying to age downward the Meryl generation? What was in the air that nighttime, Fernando?
And speaking of which: Take we collectively decided non to exist bothered about the fact that 72-year-old Cher is apparently old plenty to be 69-year-old Meryl Streep'southward mother, and 32-twelvemonth-old Amanda Seyfried's grandmother? She's too young to play fifty-fifty 25-year-quondam Sophie Sheridan's grandmother, if Sophie is in fact 25!
Non to mention: Has Christine Baranski seriously had that same well-baked Velma Kelly bob for the past 25, thirty, or 39 years, depending on how nosotros're counting? I hateful, what are we to believe—that this is some sort of a magic xylophone or something?
So, yes: the only possible conclusion is that the Mamma Mia! movies have place in a fabulous, sun-soaked wormhole, a Mediterranean under realm beyond the limitations of what nosotros mortals know every bit "time." That, or thrillingly lazy screenwriting. The prosecution rests.
Meryl Streep and Cher: A History
By Richard Young/REX/Shutterstock.
Mamma Mia! ii World Premiere
July 16, 2018.
Source: https://www.vanityfair.com/hollywood/2018/07/mamma-mia-here-we-go-again-timeline-what-year-is-it
Belum ada Komentar untuk "How Long Is Mama Mia There We Go Again"
Posting Komentar